A point of view, not just a profession.
the hand
behind it
I didn't plan to be a florist. I set out to make things that felt intentional.
12 years designing for weddings, editorials, and events where the florals needed to do more than look nice — they needed to say something.
meet georgia
How I See It
The eye comes first. The flowers come second.
I notice what other people walk past. The curve of a stem before it opens. A color that shouldn't work until it does. That's the whole job, really — seeing it before anyone else does. Every piece starts the same way: looking longer than feels necessary.
how I Work
Every event, considered on its own terms.
No two arrangements start from the same place, because no two events are the same event. I listen first. Then I design around what's actually there — the light, the space, the people it's for.
kind words:
"She understood the vision before I could even explain it!"
ellie, past bride
Where the ideas actually come from.
Off the Clock
Most days end the same way — dogs underfoot, hands in the garden, whatever's left of the light.
Weekends are for the lake and a book I'm in no hurry to finish.
It's not separate from the work. It's where the work starts. The ideas show up when nothing's demanding them to.
